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thinking film since 1973 home blogs filmint on the underground film scratches ay caramba! festival reports interview review features about film international subscribe contact current issue submission guidelines stay connected latest posts in rss ay caramba! blogs features festival reports film scratches filmint on the underground interview review latest comments in rss follow us on twitter connect on facebook far from paradise: dietrich and von sternberg in hollywood (criterion collection) » by tony williams. a box set containing the josef von sternberg (1894-1969) and marlene dietrich (1901-1992) collaboration, even if copyright reasons exclude the blue angel (1930), would appear… read more » for and against the grand narrative: the hollywood war film by daniel binns » a book review essay by matthew sorrento. genre studies, whether treating film genre history as evolutionary or as cycles, always has to fight the charge that genre films… read more » rediscovering a “lost art”: how did lubitsch do it? by joseph mcbride » a book review essay by tony williams. any book or article by joseph mcbride is worth reading, especially in this era of mostly dismal films and an unqualified… read more » the epitome of cool: the films of ray danton by joseph fusco » a book review essay by tony williams. i initially saw this 2010 book as a main feature on this company’s web site and requested a review copy, thinking it was… read more » “may well offend” – magnificent obsession: the outrageous history of film buffs, collectors, scholars, and fanatics by anthony slide » a book review essay by tony williams. deliberately described as a “provocative film scholar,” this prolific, self-educated expert in film, who has written more than 250 books in… read more » beyond genre to the other arts: king hu’s dragon inn (1967) from the criterion collection » by tony williams. for those really interested in the art of cinema, the achievements of king hu (1932-1997) are comparable to others such as bela tarr and andrei… read more » why the neglect?: lubitsch’s the student prince in old heidelberg (1927) » by john w. fawell. the following is an excerpt from ernst lubitsch’s the student prince in old heidelberg: the art of classic hollywood, now available from lexington books/rowman &… read more » the cinematic form of the football match » by declan cochran. introduction (pre-match warm-up) cinematically speaking, the filmed football match is a curious phenomenon, one that seems to integrate a number of cinematic techniques whilst, obviously,… read more » tarkovsky’s the sacrifice : against all doctrine » by christopher sharrett. i have been meaning for some time to put pen to paper about andrei tarkovsky, about whom i’ve been hesitant for decades. a few remarks… read more » north korea’s international movie co-productions, 1985-2012 » by johannes schönherr. kim jong il, the son of north korea’s founder and great leader kim il sung, went early in his youth in the direction of eventually… read more » defying ideology (and the academy) – mr. novak: an acclaimed television series by chuck harter » a book review essay by tony williams. when recovering from reviewing lesser works by well-established publishers, whether direct-to-library or university presses, it is often a welcome relief to… read more » festival reports states of independence: the 8th transatlantyk festival, łódź, poland (july 2018) » by alex ramon. “you need an independent spirit if you’re going to go into film or music: so many people will tell you that you can’t do it,” said diane warren, on stage… read more » groundbreaking and dated: tribeca 2018 » by michael miller. the 17th tribeca film festival unspooled april 18 – 29, 2018 across seven venues in manhattan. the festival celebrates storytelling whether in the form of narrative features, documentary, virtual reality and… read more » when war or love come: berlinale 2018 » by martin kudláč. for some time, berlinale has been grooming its image as a political film festival. its 2018 edition, which is its current director’s penultimate edition in charge as dieter kosslick is to… read more » art film fest 2018: the time of its time » by robert buckeye. the centenary of the formation of czechoslovakia and the half century commemoration of the prague spring transformed art film fest in košice, slovakia (15-23 june) this year into a seminar… read more » glory of the silents reborn: the 23rd san francisco silent film festival » by janine gericke. i’ve been going to the san francisco silent film festival (sfsff) for ten years. my first introduction to the festival and the castro theatre was buster keaton’s 1923 film our… read more » observation and immersion: 2018 afi docs » by gary m. kramer. the 2018 afi docs film festival screened over 90 features and shorts in washington, dc and silver spring, md. the films tackled topical issues such as the plight of… read more » nightmares from la and von trier: 2018 cannes, week two » by ali moosavi. it is very unusual for cannes, or indeed any film festival that i care to remember, to provide a warning in the festival program for a particular film. in cannes… read more » “sickie” docs and features: the 20th maryland film festival » by gary m. kramer. the 20th maryland film festival, held at the parkway theater and various additional venues in baltimore, took place may 2-6. the program included more than 100 features, documentaries, and shorts.… read more » interview “we cannot live without ford”: an interview with tag gallagher » by jake rutkowski. i confess i was intimidated by the prospect of interviewing tag gallagher regarding john ford: himself and… read more » a life of contradictions: trine dyrholm on nico, 1988 » by travis merchant. a biopic usually comes with a load of questions for a viewer: how much of the… read more » crossing over with a light touch: mauricio ochmann on ya veremos » by gary m. kramer. actor mauricio ochmann has become a popular leading man in mexican cinema. he worked steadily… read more » casey wilder mott on revis(it)ing a midsummer night’s dream » by tom ue. casey wilder mott served as director of development for flashlight films, a boutique film finance company… read more » connecting posthumously: ofir raul graizer on the cakemaker » by tom ue. israeli-born film director and video artist ofir raul graizer lives and works in nexus of berlin,… read more » illuminating the bipartisan problem: kimberly reed on dark money » by travis merchant. in today’s age of fake news, constant debates, and online videos that depict two sides arguing… read more » reflecting our troubled times: barnaby miller on s|t|r|a|y|s » by daniel lindvall. s|t|r|a|y|s, described by its makers as “a living graphic novel,” portrays a cross section of contemporary… read more » vulnerability and awareness: max emerson on hooked » by tom ue. with more than 900k followers on instagram alone, writer and director max emerson uses his social… read more » bob farkas on going crazy famous » by tom ue. bob farkas took the biggest gamble of his life when he became, at the age of 53,… read more » a surge in the classroom: serge bozon on mrs. hyde » by tom ue. serge bozon’s latest film mrs. hyde follows the plight of a science teacher at a technical… read more » life commodified: adilkhan yerzhanov on gentle indifference of the world » by ali moosavi. when discussing world cinema, kazakhstan is not a country which immediately springs to mind. like many of… read more » most recent posts opinions praising the new flesh: the modern british horror film by steven gerrard tag gallagher, in print and video the “fourth face” of silent comedy – harry langdon: king of silent comedy by gabriella oldham and mabel langdon marketable polish melancholy: paweł pawlikowski’s cold war “we cannot live without ford”: an interview with tag gallagher unfulfilled desire: the bookshop a life of contradictions: trine dyrholm on nico, 1988 crossing over with a 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URL analysis for filmint.nu

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Whois Information

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# Copyright (c) 1997- IIS (The Internet Foundation In Sweden).
# All rights reserved.
# The information obtained through searches, or otherwise, is protected
# by the Swedish Copyright Act (1960:729) and international conventions.
# It is also subject to database protection according to the Swedish
# Copyright Act.
# Any use of this material to target advertising or
# similar activities is forbidden and will be prosecuted.
# If any of the information below is transferred to a third
# party, it must be done in its entirety. This server must
# not be used as a backend for a search engine.
# Result of search for registered domain names under
# the .nu top level domain.
# This whois printout is printed with UTF-8 encoding.
#
state: active
domain: filmint.nu
holder: 3kl413hmnv
admin-c: 3kl413hmnv
tech-c: l8pkgkwyxd
billing-c: 3kl413hmnv
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modified: 2017-04-13
expires: 2018-04-03
nserver: dns1.oderland.com
nserver: dns2.oderland.com
nserver: dns3.oderland.com
dnssec: unsigned delegation
status: ok
registrar: NuNames.nu

  WHOIS whois.nic.nu

  REFERRER http://www.nunames.nu

  REGISTRAR .NU Domain, Ltd

SERVERS

  SERVER nu.whois-servers.net

  ARGS filmint.nu

  PORT 43

  TYPE domain

  REGISTERED no

DOMAIN

  NAME filmint.nu

NSERVER

  DNS2.ODERLAND.COM 91.201.63.191

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  DNS3.ODERLAND.COM 185.20.12.56

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